The Coffee House’s Talent Pool:
We’re Not Worthy!

Jean Bratman & Marc Black

A Review of April 26th Coffee House


by Meredith Rilley

“You should charge more money.” That is an actual quote from one of Groovin’s virgin coffee house audience members, Andy Balbus. Andy’s point was less in tune with the fact that he wanted to pay more and more aligned with the thought that he was surprised at the level of quality music right here in New Fairfield for such a nominal fee. Like many, he equates a good show with a high price tag. “I’m impressed. There are lots of talented musicians, each with a different style. And the crowd is much bigger than the Town Crier’s. I’m pleased and proud that New Fairfield has such good music.”

It’s not surprising that people leave The Coffee House sold on Groovin’s production and eager to return. After 4 years of quarterly coffee houses, the entire process has become like a well-oiled machine, experiencing such success, in fact, that professional musicians have sought out Groovin’ for their stage. The Coffee House’s Featured Artists are booked into 2009 with performers who have toured the world and played with big names and who are willing to play for our lucky town. Awestruck by the professionals playing at The Coffee House, one audience member joked, “We’re not worthy!”

Saturday’s Coffee House was very much a part of the professional musician’s stage that has become an expectation to return audience members, like Mary K. Smith “Each one gets better and better. People don’t know what they’re missing!” The evening, hosted by comedian, Barry Schaffer, was kicked off by Damon John Wade, whose fingers danced across his guitar so quickly and proficiently and whose voice was so compelling that it was impossible not to be completely drawn in by his performance. His songs run the gamut between a touching, longing love song for a woman after a 6-year dry spell to a witty, energetic and truly fun love song about his motorcycle. “Got her from the junk yard. It was love at first sight,” he sang, “Keep your hands off her, she’s my VFR.” Witty lyrics like those and in songs like, “Siamese Cat”, telling about being drawn to someone who is, “…like a paper cut. You sting and you suck,” brought the audience to laughter more than once. Damon's site.

From there the evening mellowed for a bit with Kathleen Pemble’s sweet sound and serious, sometimes haunting lyrics. Kathleen, a full-time musician, won the New York City Song Slam after only a few years of dedicating her life to music full-time. She sings as if driven by some uncontrollable purpose, as if she’s got no choice but to write the words and play the songs exactly as they are. And the audience was grateful; Kathleen moved them, almost hypnotizing them into her stories, with her gentle finger picking and lilting voice. www.kathleenpemble.com

After Kathleen, T.Jay Kowalchuk took the stage with an immense presence before even opening his mouth to sing. T.Jay stands well over 6 feet and looks every bit the part of the baseball scholarship athlete he was at the University of Binghamton. Before he takes his first commanding strum on the guitar, you find yourself doubting that he will be as good as you’ve heard, solely based on preconceived notions of handsome athletes and music. But, the instant T.Jay started to play, all negative thoughts dispersed and amazement set in. His talent easily matched his massive amounts of energy and showmanship. Besides his patent guitar mastery, T.Jay has an impressive vocal sensibility, singing high falsetto notes and belting powerful, dynamic phrasing. The final piece of the ready-to-be-famous-package that is T.Jay, is his extremely literate and insightful gift for lyrics and his jazz-influenced, yet still mainstream sound. There is no doubt that this talented young artist, who plays frequent local gigs, will break through to the big time. T.Jay commented on his Coffee House audience, “ It’s great to play on any stage where the audience is almost as much into it as the performer!” That is saying volumes, considering T.Jay couldn’t possible be more infatuated with performing as he is. www.tjaymusic.com

Finishing up the showcase set was a group of local musicians, who make up the one-time basement band, Vinyl Groove. Following professional musicians as Vinyl Groove did would be daunting to many, but the experience and comfort level of these six long-time musicians put them enough at ease to hold up well to scrutiny after such a high bar of talent. Playing three covers and one original, Vinyl Groove, displayed an impressive variety of vocal sound, rich with four-part harmonies, as well as instrumental sound, complete with instrument swapping. www.vinylg.com

Having previously heard one half of the Feature Artist, this writer knew the second half was able to clear that high bar set by the Showcase Set. Jean Bratman, an alumnus of The Coffee House and current freelance writer for Good Morning America, returned this time with seasoned, full-time artist, Marc Black, full-time musician and composer. The first time Jean performed for Groovin’ in New Fairfield, she drew us in with her thoughtful lyrics and absolutely perfect, smooth voice and performed with a similar seriousness to Kathleen Pemble. This time, however, Marc Black added a certain lightness of being and just plain fun energy to Jean’s performance and, although with talent as rich as before, she was clearly having a ball. The contrast between the two is understandable. Jean’s beautiful ballads often include lyrics that argue the strength of love, “This is love, I can tell. We stand where we once fell,” and Marc’s songs keep us laughing with the likes of “Don’t Be Mad at Me,” a song that playfully pleads with his wife to forgive him, which made the audience break out with laughter throughout the song. When his wife first heard the song, she claimed it was a children’s song. Agreeing with that, Marc changes the last line of the song from “No Nookie” to “No cookie,” depending on the audience’s median age. That’s not to say that Jean can’t have fun alone. Her song, “What You Don’t” speaks of a woman aging somewhere between beautiful & young and beautifully wise. The people laughing the most were women over the age of 40, clearly identifying with lyrics like, “ I used to live life on the cutting edge and now I view life across a suburban hedge” or “A smile still comes to my face when a young man glances down at my legs. You know I die just a little inside when he says, Ma’am, your shoe’s untied.” And Marc Black certainly knows serious. He is about to go on tour for his album “Stroke of Genius,” comprised of songs he wrote from poems by his friend, Dan Mountain, who awoke from a coma once his doctors removed him from life support. The songs are like his friend’s post-stroke personality, a psychedelic version of himself – super insightful with a slightly skewed perspective. All fresh, welcome takes on life, like “When you get back, never get back to where you’ve been. Get back to where you’re goin’.”

Their voices blend together beautifully, too. Jean's voice really adds a beautiful harmonic depth to Marc’s. Aside from the polished and completely engaging vocals and lyrics, their performance was so superb that the audience called for an encore and Jean and Marc delivered. Marc wrote a fun bluesy song, called, “I Got Trouble,” which he lured Jean into singing, despite the fact that she had never heard it before. It was some pure, successful, improvisational singing -– a clear indication of the level of songwriting talent that was on the stage – and it was hilarious. www.jeanbratman.com

www.marcblack.com

With talent like this, The Coffee House can now be counted on as a sure thing. Fans like Anne Geisinger raved, “This is the first one for my husband and I and we’ll definitely be back. It was marvelous.” Artists like Jean Bratman raved, “The people [here] are great listeners – warm and receptive. I love playing here. The people who run this rock. It is really well organized.” All this raving from audience and artist alike. Maybe we are worthy.

For more information on the artists who have performed at this and other Coffee Houses and for direct links to their sites and their music or for more on Groovin’ in New Fairfield itself, visit our brand new web site: www.groovininnewfairfield.com. Groovin’ in New Fairfield is a N.F. Parks & Recreation program.



Marc Black and Jean Bratman


Damon John Wade


Kathleen Pemble


T.Jay Kowalchuk


Vinyl Groove